s
Schnurrbart
Fritz according to Lou

Fritz’s eyes, too, spoke a revealing language.
Though half blind, they nevertheless had nothing of the peering, blinking, unwanted intrusiveness that so many nearsighted people have: they looked instead like the guardians and protectors of their own treasures, their own mute secrets, not to be touched by the unauthorized.

Lou Andreas-Salomé
Nietzsche 

CHOREOGRAPHY:
Marta Bevilacqua

dancers:
Marta Bevilacqua

music:
la voce è di Martin Heidegger, Richard Wagner nel Prometeo, al pianoforte Friederich Nietzsche sedicenne

light design:
Fausto Bonvini

production:
Arearea © 2013

residencies:
B-Motion Bassano del Grappa, Corpi Urbani Genova Villa Bombrini, Did Studio Milano Ariella Vidach

duration: 30 MIN.

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